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The folds of this jacket are handled so differently from picture to picture that it appears to be made of various kinds of fabric, although a side-by-side comparison of the shapes and the distribution of the spots on the fur trim of three paintings () assures us that it is one and the same article.The fact that the painter would have so willfully distorted the garment's folds but so carefully attended to the positions and shapes of the spots, which perhaps even Vermeer's wife would never have noticed, is somewhat perplexing. Gabriel Metsu (1629–1667) painted them many times, sometimes green or blue, occasionally yellow, but most often red.When the master-painter and guild were satisfied with an apprentice's progress, usually after two to four years, he became a journeyman.He could sign and sell his own pictures and he work towards becoming a mater in the guild.The portraits of the members of the court of the House of Orange were done by journeymen and were stockpiled against future demand.Miereveld just signed them, sometimes reworking them with one or two brushstrokes.This glossary contains a number of recurrent terms found on the present site which may not be clear to all readers, especially when employed within the context of an art discussion.Some of these terms, signaled by an icon of the Vermeer's monogram and signature, are also discussed as they relate to specifically Vermeer's art.

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In fact, even in the inventories of the wealthiest women, ermine is never mentioned.

In three works it can be considered a sort of optical focal point, and so must have responded to important aesthetic requisites, although it is not out of the question that it had a sentimental significance for the artist.

One such article is listed among possessions of his beloved wife, Catharina.

After submitting a masterpiece, a journeymen could be accepted as a master himself, open his own studio, and take on students.

Many, however, continued to work in the shops of other artists.

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