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by Miriam Shenitzer 1994 Women’s Studio Workshop Looking to expand your vocabulary when talking about art?Shenitzer’s tongue-in-cheek tutorial shows you how! Black and white drawings of her adorable rat characters, coupled with pop-up book elements, take you through innovative ways to sound like you know what you are talking about.The semester has wrapped up and we are looking forward to Commencement next week.

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Spring colors are cropping up in our New Books display area!

They are listed below, alphabetically by author or editor; click on the HOLLIS number to view the corresponding bibliographic record.

Of course, if you have questions about any of these titles, send your inquiries to [email protected]

They were published in Edinburgh and London (and, eventually, Brussels and Lausanne, in French by the father and son team of William B. Despite their plebian intent, these volumes are actually quite charming, with decorated paper covers and photographic reproductions of the paintings by some of the best photographers of the time, such as Thomas Annan and Fritz Hanfstaegel.

These guides came to us from the estate of Henry Edwards Scott, Harvard Class of 1922, who did graduate work in art history at the Fogg and was professor of fine arts at the University of Pittsburgh, Amherst College, and the University of Missouri.

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